22 episodes on 4 DVDs. 1998-99/color/NR/fullscreen. Will & Grace debuted with a controversial splash because one of its two lead characters is gay--but smart writing and topnotch performances, not politics, have made the show a hit. Two neurotic and sharp-tongued urbanites--gay lawyer Will (Eric McCormack) and straight interior designer Grace (Debra Messing)--delight in their volatile but enduring friendship as they share a sumptuous New York apartment. Sweeping into the mix are Will's unapologetically queeny friend Jack (Sean Hayes) and Grace's wildly eccentric assistant Karen (Megan Mullally). Much like Seinfeld, the humor on Will & Grace springs from self-obsession, petty jealousy, and compulsive interfering in each other's lives--basically, the building blocks of human nature. The show's writers apparently feel compelled to keep the lead characters warm and likeable in the usual sitcom mode (which hardly seems necessary, as McCormack and Messing are naturally engaging). As a result, it's Jack and Karen who get free reign to be truly obnoxious and ridiculous--which, of course, makes them incredibly funny and charismatic. Hayes and Mullally rise to the occasion, ripping through absurd situations and arias of narcissistic wit with dazzling panache. Will & Grace's plots routinely center around scenarios that could feature a married couple or two same-sex roommates: Will and Grace bicker over buying a dog, find their relationship tested by apartment renovations, or discover they're both pursuing the same guy--standard sitcom material that the gay factor gives a clever spin. Though their relationship gets in the way of their sex lives, the two take so much pleasure in each other's company that they can't help but stick together--a surprisingly chaste theme for such a culturally groundbreaking show, but one that Will & Grace's addicted audience undoubtedly appreciates. --Bret Fetzer
Manufacturer: Sony Pictures Home Entertainment
Brilliant, egocentric and completely unique, Oscar Wilde (Stephen Fry) defied convention on almost every level. While coming to terms with his newfound sexual identity, he also experienced his most creative period, resulting in some of his best-known works. As his literary career flourished, the self-realization of his homosexuality caused Wilde enormous torment as he juggled marriage, fatherhoodand responsibility with his obsessive love for Lord Alfred Douglas (Jude Law). It is this passionate and stormy relationship which consumed and ultimately destroyed him. Featuring a brilliant supporting cast including Jennifer Ehle, Academy Award(r)-Winner Vanessa Redgrave and Tom Wilkinson as Wilde's chief adversary, the Marquis of Queensbury.
Manufacturer: Ariztical Entertainment
Brand: Ariztical Entertainment
Zack and Benji open up their relationship for a weekend of fun at a gay resort in Palm Springs. After Zack runs into his ex-boyfriend Casey, Casey lies and tells him he met someone new to avoid Zack's pity. When Casey reacquaints with an old high school friend, Peter, he manages to convince him to pretend to be his boyfriend despite Peter's reluctance that it will interfere with his promiscuous weekend opportunities. As sexual tensions start to mount between Benji and Peter, Zack becomes increasingly dissatisfied with his relationship while Casey longs for a stable relationship of his own. A sexy and outrageous comedy, Eating Out: The Open Weekend serves up plenty of eye-candy and raunchy fun along with the pursuit of finding true love.
A candid, sexy, and outrageously funny look at what an actor can - and will do - to survive in Hollywood. Young, handsome, and ambitious, Adam arrives from New York with dreams of making it big in L.A. He moves in with his zany best friend Candy who, between auditions, spends her time at the gym, shopping, or looking for a wealthy man. Adam gets off to a rocky start, complete with parking tickets and an insufferable job answering phones. A new job in production looks promising, but soon Adam finds himself dealing with down-and-out directors, washed up starlets, and meth addicts, as he starts to loose himself in a seamy underworld of gay porn and prostitution.
The Skinny is a sharply scripted comedy about a group of four young black gay men and their lesbian best friend. They arrange to meet up in New York City one year after their graduation from Brown University. Their plans for a weekend of fun start off well, relaxed in each other's company as only old friends can be. But old tensions quickly resurface. Drinking, drugs, hidden desire and the demands of promiscuity put friendship, trust and even lives at risk.
Brand: Noah's Arc
The film based on the LOGO TV series finds the characters' relationships cracking under pressure during a weekend wedding getaway in Martha's Vineyard. Bonuses: featurettes, deleted scenes. Based on the popular television series, Noah’s Arc: Jumping the Broom is a feature film that continues the narrative thread of the second series, with all the luscious drama that one would expect. In this, Noah Nichols (Darryl Stephens) and his ARC: Alex Kirby (Rodney Chester), Ricky Davis (Christian Vincent), and Chance Counter (Douglas Spearman), retreat to Martha’s Vineyard for Noah’s intimate marriage to Wade Robinson (Jensen Atwood). While Alex’s hubby, Trey (Gregory Kieth), video chats from home to babysit their newly adopted Ethiopian child, Chance brings his husband, Eddie (Jonathan Julian), and Ricky is accompanied by the 19-year old Brandon (Gary Leroi Gray) for some lighthearted fling-dating. But as the four couples hole up and attend separate bachelor parties, each relationship begins to unravel. Alex’s pill-popping throughout the weekend, compiled with surprise drop-ins from Noah’s boss, Brandy (Jennia Fredrique) and rapper Baby Gat (Jason Steed), don’t help Noah and Wade work through last-minute jitters. Humor abounding, many of the deep questions about what marriage and commitment mean are filtered through scenes about stress related to coming-out and what promiscuity symbolizes to gay men. Appearances by two moms, Noah’s (Suanne Coy) and Wade’s (Tonya Pinkins), also make for some fun, and tense, situation comedy. Jumping the Broom has all the verve of the series, so if you are already a fan, this romantic tale will not disappoint. --Trinie Dalton
Manufacturer: Warner Archive Collection
Brand: WARNER BROS. DIGITAL DIST
From the folks that brought us Mr. Magoo comes "Gay Purr-ee," a stylish and sophisticated animated musical about a group of cats in Paris, France. "The Wizard of Oz" meets "Camelot" in the classic voices of Judy Garland and Robert Goulet, who add another dimension to the clever script by animation master Chuck Jones ("Looney Tunes") and his wife. The terrific score is by Harold Arlen ("The Wizard of Oz").When sold by Amazon.com, this product will be manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
Renato (La grande bouffe’s Ugo Tognazzi) and Albin (Diabolique’s Michel Serrault)—a middle-aged gay couple who are the manager and star performer at a glitzy drag club in St. Tropez—agree to hide their sexual identities, along with their flamboyant personalities and home decor, when the ultraconservative parents of Renato’s son’s fiancée come for a visit. This elegant comic scenario kicks off a wild and warmhearted farce about the importance of nonconformity and the beauty of being true to oneself. A modest French comedy that became a breakout art-house smash in America, Edouard Molinaro’s La Cage aux Folles inspired a major Broadway musical and the blockbuster remake The Birdcage. But with its hilarious performances and ahead-of-its-time social message, there’s nothing like the audacious, dazzling original movie.
The lives and loves of several devastatingly attractive young gay men continue to be chronicled in candid detail during the second season of this pioneering series. Although it bears the same title as its British forerunner, this stateside version is as homegrown as Pittsburgh, where the action-amorous and otherwise-occurs. Each episode is densely plotted and definitely not for those who favor sanitized dialogue and characters stuck on the straight and narrow. 20 hours on 6 DVDs. They're still out and proud, and in their second season the boys (and girls) of Queer as Folk continued to break ground as the most gay-friendly show on television (sorry, Will and Grace). Some plot lines were a little over the top, others truly heartfelt, but they were never less than entertaining, even during their All My Children moments. Season two opened in the aftermath of the gay-bashing of Justin (Randy Harrison), the young artist who wondered if he'd ever be able to paint or draw again, and went on to face a variety of issues and plotlines as diverse as its characters. Some were timely (Michael negotiating a relationship with new HIV-positive boyfriend Ben), some romantic (lesbians Lindsay and Melanie tying the knot), some new to the show (Emmett embarks on a relationship with a--gasp!--older gentleman), and some, well, far-fetched (how many of you had to wrestle, like Ted did, with starting your own pornographic web site?). While the writing tended to flail about a bit, thankfully coalescing by the season's end, the show continued to be anchored by stellar actors, especially Peter Paige's Emmett, who grew the most during the second season; Michelle Clunie's Melanie, the alternately wry and sweet lesbian who became the show's secret weapon; and, as always, Gale Harold's Brian, the lothario with a heart of tarnished gold. Frustrating, fascinating, exasperating one moment and charming the next, Brian perfectly summed up the guilty pleasures of Queer as Folk, where humanity peeks out every now and then from behind the curtain of ...